Joey Yearous-Algozin
Joey Yearous-Algozin is the author of A Feeling Called Heaven (Nightboat Books), Utopia, and the multi-volume The Lazarus Project, among others. With Holly Melgard, he has co-authored a trilogy of books Holly Melgard’s Friends and Family, White Trash, and Liquidation. He is a founding member of the publishing collective, Troll Thread. He lives in Brooklyn, NY.
Will you come home now that they’re gone?
I used to think all art and poetry should be free
and still do
but how to get it to you
have you sit with it
and not take for granted
the act of generosity or openness
built into your listening
even if the voice
with which it’s spoken
is little more than a thin note
barely distinguishable
from the quiet in a room at night
that looks out over Manhattan from across the river
a room more someone else’s than my own
as sober now
I have little sense of what’s mine to assume
not just in terms of what we say about ourselves
but when you close your eyes
and imagine your body
how you sit in this chair
feeling your stomach settle into your pelvis
as though there were an internal stability
to your presence
or this irregular movement of language
as the ground over which we’re traveling
its slow progression
illusion of forward momentum and obsession with division
instead treating that movement
as a sense of the body in space
one moment followed by another
disconnected
but continuous
little more than an address
despite our mutual absence
me as I’m writing this
you as you’re reading it
since we’ll never access this page together
and yet we continue through this long season
and slow immiseration of life
punctuated by a brief memory of another time
as when we were waiting for the weather to change
so that we might take a walk around a park with greater ease
imitating a video
we watched together of the same park
living in New York and seeing ourselves
in the recorded movement of others
but also a fantasy of a past
in which we imagine ourselves present
but not yet together in this space
and when I speak to you
I understand your pain
through a lens of my own suffering
wondering if what I see is a projection of myself
that this desire for openness to what you’re experiencing
is a continuation of my own ego
but again to return to a sense of the morning
in which you are sitting watching
say
starlings land outside the window
learning their way of imitating another’s song
in these early days of spring
and I had said that I no longer wanted to write about grief
or some ambient sadness
untethered from a specific object or reason
but to write of love
no matter how difficult to experience
and say nothing other than to utter its name
yet when it’s missing
this necessary feeling of openness to the world
how earlier I walked
in the rain and unseasonable warmth
to drop off the rent check
and felt as though a wound had opened up
as I looked out over the umbrellas
balanced along the street
in the air
and vanishing line of traffic lights
providing some color down Seventh Avenue
notes that seem to repeat an earlier question
as though an idea of myself
was contained in their constellation
or as if I knew this wasn’t going to work and told myself as much
sharing something too early somehow
deprives it of a particular energy necessary to continue
and I wonder thinking again
if any way of addressing you
as though this occasion were enough
as another said it takes place in a life
and there’s beauty in that limited necessity
of these minor notes
a way of finding a place together
and we had talked of ways in which listening
the body opens itself to the world
skin becomes porous
acting like a gateway rather than a boundary
between myself
and the air that surrounds
feeling that in saying it somehow
the air in the room gains in intensity
or a kind of thickness
that for once gives birth to a silence
that feels less desperate
more able to see itself as a way of moving forward into it
or if I can understand how I don’t want to do something
I can find a way to do it in which
I cause myself less pain
as in now without an image to justify this precise moment
the desire for an activity can become simply what it is
a material practice within a certain limitation
when picking up your head again
to watch say birds nesting in a neighbor’s window
or listening to snippets of conversation
that come in from the street two stories below
I wonder how long the page will be
and if you will remain here with me
or that this could cause some kind of joy
as we insisted
in this act of writing
one might construct a life
with a few friends
and the desire that it would continue
so that this pain we feel at any moment
is temporary and real
only expressed as a little voice in a larger chorus
chanting
but at a distance
arising as a light breeze
something calm in the wind
expressed in the rustle of leaves
or moving ripple of water
across a lake
on whose shore we find ourselves
sitting together
watching a cormorant or wood duck
swimming lazily toward the shore
as against a greater stillness
alongside the quiet beneath your breath as you read this
or quick movement of the eyes
imagining my voice in your ear
an intimate whisper
perhaps no different from your own
and somehow a way of getting closer to something
an emptiness
which these words can simply pretend to fill
or postpone
the way in which air holds space
as though a crowd of people was buoyed up in it
and I thought of how in the morning
your sadness was met with correction
rather than moving towards
even now I’m ashamed to use the first person
imagining failure as easier to recognize at a distance
the same with pleasure
in which the flowering trees attract attention
of those sitting beneath them
already seeing themselves being looked at somewhere else
this possibility of address
or just your bare regard
in the same way rain obscures the city seen through a window
love is diffuse
or rather not so abstract
but located in the body
somewhere in the face
as listening to the rain strike against the air conditioner
and the birds flying against the grayness of the sky
instead of adding more stripping back to leave what little is here
and allowing it to be here
this minimum that makes up a life
the bed
a few plants and a desk
a pile of clothes on the floor
or that somehow our absence
would mean an emptiness
that was only ever realized while we were here
as the continual grayness of the clouds
or crumbling brick façade in the building opposite ours
or that it’s just out of a desire for stability
that you tell yourself
this deprivation allows you to continue
at least in some little way
doing that which gives you pleasure
a sense of being enough
writing for the few others one needs address
at least in your head
to find some way to tell them you love them
without breaking down
in the first moments
of being in their presence
the silence that follows the realization
you can no longer speak
to feel time unfolding in a landscape
or a home
to feel it in this very breath
how it moves under each word as its uttered
as though it were the material of this page
or rather a regard within the fantasy
of my voice speaking out loud the name of a book
wishing for a joyous form of intimacy
I imagine others capable of
but within this feeling of time
sadness disappears
not to be replaced with joy
but an acknowledgement of a fundamental poverty
understanding this deprivation
or stripping away
as a mode of life
and again
intimacy or regard
a necessary way of being together
and yet
there are mornings when I get up
that everything feels like the night before
somehow broken
and this desire to erase time
to move toward the nothing of afterwards
there are bugs in the kitchen
piles of clothes on the floor
the lines remain
and a lack of history in the present moment
no images left
but something loose
nothing collected nothing sure